Links for Collaborator:
- IMDb
- Karlovy Vary Film Festival (includes trailer)
- Karlovy Vary Film Festival press conference
- Mill Valley Film Festival – San Rafael, CA
- Hamptons International Film Festival – East Hampton, NY
- Fly Away Film Festival – Pepin, WI
- Philadelphia Film Festival – Philadelphia, PA
- Variety.com – Karlovy Vary Film Festival
- * Review – Sub-Genre
If you’d like to keep up with what’s going on with Martin, friend him on Facebook and Twitter.
Variety.com
Turturro to receive Karlovy Vary award
Competish pix include Martin Donovan’s ‘Collaborator’
The Karlovy Vary Film Festival will present John Turturro with its President’s Award, the Czech event said Wednesday.
The thesp-scripter-helmer, together with his wife, actress Katherine Borowitz, will attend the world preem of “Somewhere Tonight,” in which they star. The film, directed by Michael Di Jiacomo, is inspired by “06 (1-900),” a pic by Dutch director Theo van Gogh, who was murdered in 2004.
The fest announced its competish lineup, which includes the helming debut of longtime Hal Hartley thesp Martin Donovan, “Collaborator,” a U.S./Canadian love-triangle tale.
As in previous editions, Eastern and Central European pics feature prominently in the competish lineup.
These include Russia’s “Bedouin,” which focuses on the desperation of urban Ukrainians; “Heritage,” a character study from Poland’s Andrzej Baranski; and the Czech/Slovak co-production “Gypsy,” by Martin Sulik.
There are two pics from Germany, Ziska Riemann’s “Lollipop Monster” and Christian Schwochow’s “Crack in the Shell,” which both center on psychological drama and ambiguous role-playing.
Pics repping the struggles and absurdities of modern life are Israel’s “Restoration” by Joseph Madmony, Italian/French pic “The Jewel” by Andrea Molaioli, and Canada’s “Romeo Eleven” by Ivan Grbovic.
Two stylistically distinct entries are France’s “Not for Sale Not for Rent” by Pascal Rabate, in which characters connect sans dialogue based on the helmer’s comic books, and Danish/Croatian pic “Room 304″ by Birgitte Staermose, which conveys three days in a Copenhagen hotel with action centered on an unexplained gunshot.
Spain’s “Don’t Be Afraid” by Montxo Armendariz, who was Oscar-nommed six years ago for “Secrets of the Heart,” takes on the taboo of child abuse.
The East of the West section, focusing on films of the former Eastern Bloc, will screen strong work, including the U.S./Russian pic “Generation P,” Victor Ginzburg’s free adaptation of the Victor Pelevin novel on the Pepsi generation.
Russian/Bulgarian/Azerbaijan pic “There Was Never a Better Brother” by Murad Ibragimbekov considers sibling rivalry in Baku of the 1970s, while Russia’s “Heart’s Boomerang” by Nikolay Khomeriki examines the value of adult life barely started and Georgia’s “Salt White” by Ketevan Machavariani looks at urban angst.
Kazakh pic “Mother’s Paradise” by Aktan Arym Kubat takes on immigration fallout, while Bulgaria’s “Sneakers” looks at escapism on the Black Sea and Croatia’s “Marija’s Own” by Zeljka Sukova is a gritty family grief story that’s a documentary musical comedy.
Bosnia and Herzegovina’s “Belvedere” by Ahmed Imamovic focuses on the 1995 Srebrenica massacre, just one of many pics that mull controversies and legacies. Fest runs July 1-9.
According to Radio Business Report, Unnatural History will air Sunday nights at 8pm ET/PT on Cartoon Network beginning June 13, 2010.
“Martin Donovan”
written by Jeffrey Nothing
performed by Mushroomheada theory for color, a science of the discontent
as alibi, the consequence of heaven, spent
reincarnating with all of my changes saved
clickin? and draggin’, the gravity but not the grave
and
I stand there – just like Martin Donovan
deer in the headlights from the wedding in the song
(from that part from the Song of Solomon)
all i can do is stare – unfastened from inside of me
can’t make up my mind – am i Copernicus or Ptolemy?
and, ?who is that sleeping, on a bench in a station?”
stuck with no ticket – with no destination
no cop in the hallway, no face in the window
no coat in the foyer, nobody that we know…
and he stands there – just like Martin Donovan
all he can do is stare – a blank look on his face like Carl Solomon
marooned, alone – my sad – my sad pale policy
oceans of emotions off a highrise of events
that i just can’t help falling in
(so much for that previous self, guess that happened to myself)
(so much for that previous self, guess that happened to myself)
i stand here – just like Martin Donovan
am i denim or leather? fish… fowl… fair weather?
a feather, a number, the letter, the slingshot, the stone? no…
a lesser, a better, the bomb? a king or a beggar?
“Martin Donovan in Trust”
by Herman DuneMay I take a picture of you
Right now, without further to do
While you raise your foot up out of your little black skirt
And you slap your tongue like Parker Posey in Flirt
This is not what I’m here for
There’s got to be a lot more
The taste of the sweet coffee when it’s raining outside
The surprise of the sunrise when you just went out for a ride
Afternoons in the library, peeping about
All tose poems that I’ve saved but never printed out
That lonely morning on the top of the hill by the lake
I sat and heard nothing but the sound lakes make
That evening I spent in Brooklyn with some arty upper crust
Smoking drinking and swearing like Martin Donovan in trust
This is not what I’m here for
There’s got to be a lot more
May I not help you untie and unzip
And just lie, feeling your hair on my hip
Your breasts hang so neatly as you bend over
And they brush so gently against each other
But this is not what I’m here for
There’s got to be a lot more
“Crackstatic”
by Ron Hawkins and the Rusty NailsWe tried to find a radio station
You smoke and drive, and I adjust the wave attenuation
I buttoned my lip, I shaded my eyes, I rode along, my hands in my pockets
Struck a pose and tried to look like Martin Donovan
But I couldn’t shut up, I couldn’t relax, I couldn’t stay cool. As a matter of fact,
I kicked my boot until the static… cracked
The hard sell – a living hell went way beyond your means (escape velocity)
The real amphetamine was somewhere in between (statictricity)
The still-dead issues that stand up in your way (when it’s over when it’s over)
One less-than-beautiful day
I wanna live like Arthur Rimbaud
I’m gonna quit this gig and move on down to Bora Bora
I’m gonna get laid, I’m gonna run guns,
I’m gonna find God in the midday sun from Singapore to Galveston
From Istanbul to Ho Chi Minh, from New Orleans to Tierra del Fuego
Gonna shut my mouth, it won’t happen again
Years spent tuning out the static in your veins (escape velocity)
The long haul trip-and-fall put upright again (statictricity)
Well wasted, knowing the end result will be (when it’s over when it’s over)
One less-than-beautiful scene
Sometimes I see a white-hot sound and all I hear is a piercing light
And I realize I’m not all right
The more you have the less you care, the less you care the more you lack
Gonna kick my boot until the static cracks
Until the static cracks
Crackstatic
Here’s a quote from an article Ron Hawkins and The Rusty Nails:
Many of Hawkins’ songs have a complex web of allusions to movies, books or places around the world. Hawkins admits he has drawn criticism by writing allusions into his songs.
“Once in a while I’ve written the name of a street in Argentina or some book or some actor that most people might not know, and people will say, ‘Isn’t that kind of exclusionary?’ And for me, it’s like I’m sure there are other people out there who are like me who will hear ‘tried so hard to look like Martin Donovan’ and they’ll wonder who Martin Donovan is and they’ll look for it. Or even if they don’t look for it, maybe they’ll see a Hal Hartley film and go, ‘Oh, that’s Martin Donovan!’ and it might just kinda be fun. I always try to make sure that I don’t ever do it to be elitist. For me it’s always just fun, it’s like Easter eggs or something.”
Martin Donovan by Stumbletwist